May 28, 1974: A group of armed men 
breaks into my apartment. They start going through drawers and cabinets —
 but I don’t know what they’re looking for, I’m just a rock songwriter. 
One of them, more gentle, asks that I accompany them “just to clarify 
some things.” The neighbor sees all this and warns my family, who 
immediately panic. Everyone knew what Brazil was living at the time, 
even if it wasn’t covered in the newspapers.
I
 was taken to the DOPS (Departamento de Ordem Politica e Social), booked
 and photographed. I ask what I had done, he says they will ask the 
questions. A lieutenant asks silly questions and lets me go. From that 
point on I’m officially no longer in prison — so the government is no 
longer responsible for me. When I leave, the man who took me to the DOPS
 suggests we have coffee together. He stops a taxi and gently opens the 
door. I get in and ask to go to my parents' house — they need to know 
what happened.
On the way, the 
taxi is blocked by two cars — a man with a gun in his hand exists from 
one of the cars and pulls me out. I fall to the ground, and feel the 
barrel of the gun in the back of my neck. I look at a hotel in front of 
me and think, “I can’t die so soon.” I fall into a kind of catatonic 
state: I don’t feel afraid, I don’t feel anything. I know the stories of
 other friends who have disappeared; I will disappear, and the last 
thing I will see is a hotel. The man picks me up, puts me on the floor 
of his car and tells me to put on a hood.
The
 car drives around for maybe half an hour. They must be choosing a place
 to execute me — but I still don’t feel anything, I’ve accepted my 
destiny. The car stops. I’m dragged out and beaten as I’m pushed down 
what appears to be a corridor. I scream, but I know no one is listening,
 because they are also screaming. Terrorist, they say. You deserve to 
die. You're fighting against your country. You're going to die slowly, 
but you're going to suffer a lot first. Paradoxically, my instinct for 
survival begins to kick in little by little.
I’m
 taken to the torture room with a raised floor. I stumble on it because I
 can’t see anything: I ask them not to push me, but I get punched in the
 back and fall down. They tell me to take off my clothes. The 
interrogation begins with questions I don’t know how to answer. They ask
 me to betray people I have never heard of. They say I don’t want to 
cooperate, throw water on the floor and put something on my feet — then I
 see from underneath the hood that it is a machine with electrodes that 
are then attached to my genitals.
Now
 I understand that, in addition to the blows I can’t see coming (and 
therefore can’t even contract my body to cushion the impact of), I'm 
about to get electric shocks. I tell them they don't have to do this — 
I’ll confess whatever they want me to confess, I’ll sign whatever they 
want me to sign. But they are not satisfied. Then, in desperation, I 
begin to scratch my skin, tearing off pieces of myself. The torturers 
must have been frightened when they saw me covered in my own blood; they
 leave me alone. They say I can take off the hood when I hear the door 
slam. I take it off and see that I'm in a soundproof room, with bullet 
holes on the walls. That explains the raised floor.
The
 next day, another torture session, with the same questions. I repeat 
that I’ll sign whatever they want, I’ll confess whatever they want, just
 tell me what I must confess. They ignore my requests. After I don’t how
 long and how many sessions (time in hell is not counted in hours), 
there’s a knock on the door and they put the hood back on. A man grabs 
me by the arm and tells me, embarrassed: It’s not my fault. I’m taken to
 a small room, painted completely black, with a very strong 
air-conditioner. They turn off the light. Only darkness, cold and a 
siren that plays incessantly. I begin to go mad. I have visions of 
horses. I knock on the door of the “fridge” (I found out later that was 
what they called it), but no one opens it. I faint. I wake up and faint 
again and again, and at one point I think: better to get beaten than to 
stay in here.
I wake up, and 
I’m still in the room. The light is always on, and I’m unable to tell 
how many days or nights went by. I stand there for what seems like 
eternity. Years later, my sister tells me my parents couldn’t sleep; my 
mother cried all the time, my father locked himself in silence and did 
not speak.
I am no longer 
interrogated. Solitary confinement. One fine day, someone throws my 
clothes on the floor and tells me to get dressed. I get dressed and put 
on my hood. I'm taken to a car and thrown in the trunk. We drive for 
what feels like forever, until they stop — am I going to die now? They 
order me to take off the hood and get out of the trunk. I'm in a public 
square filled with kids, somewhere in Rio but I don't know where.
I
 head to my parents’ house. My mother has grown old, my father says I 
shouldn’t go outside anymore. I reach out to my friends, I look for my 
singer — nobody answers the phone. I’m alone: If I was arrested, I must 
have done something, they must be thinking. It’s risky to be seen with a
 former prisoner. I may have left prison, but prison stays with me. 
Redemption comes when two people who were not even close to me offer me a
 job. My parents would never fully recover.
Decades
 later, the archives of the dictatorship are made public, and my 
biographer gets all the material. I ask why I was arrested: an informant
 accused you, he says. Do you want to know who reported you? I don’t. It
 won’t change the past.
And it’s these Years of Lead that President Jair Bolsonaro — after referring in Congress to one of the most heinous torturers as his idol — wants to celebrate on Sunday. 
 
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